Emily (Wood) Causer 23 Mar 1861 Wilnecote, Warwickshire, England, United Kingdom - 27 Jun 1950 managed by Michael Feely Pat (Wood) Gould 1930s managed by Anthea Young Mary (Wood) Hardman abt 1817 Bolton, Lancashire, England, United Kingdom - 05 Mar 1887 managed by Jean Brooks
Together they founded REG, the design agency they still run together which started initially from Ruth’s flat in New Cross Gate.“The key to our business in the beginning was continuing with freelancing work as we gathered together enough clients” she explains. One of the first jobs we got with REG was through a client at a bigger agency who was starting out on their own, too, and needed an identity. That person was Emma Underhill, who founded UP Projects, an arts commissioning agency, in 2002 and REG ended up working with them for ten years.”Following these early high-profile projects at organisations like the V&A, Emily and Ruth found a niche working with cultural and educational organisations and were invited to return to CSM to teach contextual studies on their old course four years after they had graduated.For years following this first initiation, Emily has combined her graphic design work with her teaching practice, eventually studying for an MA in Academic Practice which included research into inclusivity, student transition and sustainability.She joined us at Camberwell from Kingston School of Art, where she was Acting Course Leader of their BA Graphic Design.Thinking about how her professional practice and teaching work alongside one another, she has come to the conclusion that, for her, they are fundamentally the same thing. “Graphic designers are trained to distribute information and messages, and need to use this skill wisely and with empathy for the planet and future generations.”Throughout her practice she has prioritised both sustainability and social engagement, and been drawn to projects that involve the communities they serve, so feels this makes her a good match for Camberwell’s ethos of social impact.“While teaching at Kingston, I was extremely excited to make links with the Whitgift shopping centre in Croydon which created great opportunities for our students to work outside of the college.” Students spent a term based in an empty shop unit there, reacted to the local environment and created projects which engaged with the people who used, worked in and lived near to the centre.One such project centred around interviews with Surrey Street market stall holders who commented to students that they were keen to reduce plastic use on the market and, specifically, move away from the ubiquitous blue plastic bags, so many of which became street litter at the end of market day. A bag designed and made by Rehandle. EMILY WOOD, LONDON How long have you been working as a MUA? Her uncle, who taught photography at Central Saint Martins (CSM) at the time, suggested she apply to Camberwell’s Foundation course, after which she went on to CSM for her undergraduate degree.“I’m glad that I didn’t take the direct route into a design career,” she explains. View Emily Wood’s profile on LinkedIn, the world's largest professional community. And my BSc also laid the foundations for my interest in environmental issues, which I’ve continued to developed throughout my graphic design practice.”While studying her undergraduate degree, Emily met Ruth Sykes, who had studied history before coming to graphic design. Her short fiction stories and nonfiction essays have appeared in a variety of literary magazines. Portavilion tape, designed by REG for UP Projects in 2008. Emily Wood joined Camberwell as the new Course Leader for BA Graphic Design at the beginning of the academic year. 2427356 VAT 321572722Registered address: 188 Fleet Street, London, EC4A 2AGThis website uses cookies to improve your experience. Yet this particular organisation was still there and as a result was now quite isolated.“We had initially thought we might come and create some activities that worked directly with the service users” she says of this project, “but the research outcomes showed other, unexpected ways we could use design to help a small organisation like women@thewell.The final design intervention they developed in response to this to invite people from local organisations in the ‘Knowledge Quarter’ – the name for this area of Kings Cross – to come to CSM to take part in a creative activity. “The joy of working in graphic design is finding these unexpected solutions. “In my practice, I use the design process as a research tool to develop ideas and in many ways that’s also what teaching is.”She believes that both teaching and graphic design are fundamental to creating a more sustainable future. Emily Wood joined Camberwell as the new Course Leader for BA Graphic Design at the beginning of the academic year. Emily interned at Pentagram while she was a student, and went back to work there as a freelancer when she graduated. Emile Woolf International is an international global training and publishing provider.
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