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This is the programme for the mobile generation. Katherine Mansfield's last day in Paris inspired by her writingsKatherine Mansfield’s best-loved short stories fully dramatised by Katie Hims1981.

The Ballad of Bobby Sands. Epic drama series charting the lives of a group of characters on the home front during WWI A multi-award-winning conspiracy thriller, written by Matthew Broughton. But as Bray points out, there were in fact plenty of writers who could thank radio for their first break.What made the difference, she argues, was Radio Drama’s ability to spot and nurture most (if not all) emerging talent – or, as in the case of Pinter, to provide a desperately-needed lifeline in the early stages of a writer’s career...In radio, words were usually at the heart of it all.And in another oral history interview, we get a vivid picture of how vitally important the Script Unit, over which Bray reigned, was – not just to the BBC, but to British theatrical culture as a whole.In this recording, John Tydeman, who was Head of Radio Drama in the 1980s and 1990s, describes what he sees as the Unit’s extraordinary, if sometimes under-appreciated value...One illustration of this service to British cultural life had come near the start of John Tydeman’s own career at the BBC, when, as a young recruit to Radio Drama he’d read a script which arrived in the strangest of circumstances.
Your one-stop shop for all things Shakespeare. It was a western adventure old-time radio drama that premiered on July 8, 1950, on the US NBC radio network and remained on the air through September 14, 1952. Current and former programmes broadcast on BBC Radio 4. But actually, he spent most of his 14 years as Head of Radio Drama – from 1963 to 1977 – championing the cause of the more down-to-earth daily drama on Radio 4...Making demanding and difficult productions was an important part of the mix.

As one of them later said, Gielgud’s great quality was that in the end, grudgingly or not, “he trusted people”.Another factor worked in Radio Drama’s favour. Meet Steward Schiendick, Capt. Full body transplants on sale here. Torchwood: The Collected Radio Dramas is an anthology of seven separate BBC audio dramas based on the Torchwood TV series. Fake Heiress - Two new thrillers from BBC Radio 4 Anna Delvey blazed a trail through New York as a wealthy heiress. They liked its intimacy, its collaborative style of production, its respect for the written word.In her interview, Barbara Bray points to one final attraction: radio’s ability to repeat a play. Ikinamico Urunana. Attended by his mother and a priest Bobby Sands nears his death,Katherine Mansfield’s best-loved short stories fully dramatised by Katie HimsA battle of the sexes and a wilfully ignorant history of English Literature by Marek Horn.By Daf James.
A handful of talented survivors now joined Drama – a welcome infusion of new blood.And there was BBC Radio’s ability to find a place on its schedules for dramatic writing too ‘weird’ or unsettling to put on television or the stage. Relations between the Board of Management, headed by the Director-General, Charles Curran, and the Board of Governors were especially febrile.Enter the Casement play. BBC iPlayer Radio - listen to live BBC Radio or catch up on BBC programmes from across the UK and World Service. Esslin, born in Budapest and educated in Vienna before coming to Britain as a refugee from the Nazis, was multi-lingual, prodigiously well-read, a world-leading expert on the ‘Theatre of the Absurd’ - a category which encompassed the work of playwrights such as Bertolt Brecht, Eugene Ionesco, and Samuel Beckett. Newby points out that one key argument in its favour was that it had been written by a skilled playwright – someone who could be trusted to handle ‘very difficult’ topics sensitively. these are pretty much exclusively supernatural/horror themed radio plays from the bbc. A contemporary drama in a rural setting. Comedi am gell o derf-ddysgwyr sydd ar dân dros y 'Cymraeg Newydd' yw Dulliau Chwyldro.

Drama in 12 short parts. Stories aimed at the under 9s But it was all a lie. The show features John Barrowman, Eve Myles and Gareth David Lloyd reprising their roles from the series along with the special participation of other Doctor Who and Torchwood alumni. Since the earliest days of the BBC, it had been part of the Corporation’s thinking that instead of meeting public tastes, it should develop them, improve them. In the BBC, the reverse held true: supply was intended to shape demand.

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